Greenbook

 Green Book: A Reflection on Art, Race, and Identity

After watching Green Book, I cannot imagine what existence on Earth would be like for a person of color, especially for those pursuing careers in the arts. The film provides a stark reminder of the systemic barriers that prevented talented individuals from freely expressing their artistic gifts simply because of their race. Back in that era, not only were public amenities and schools segregated, but the arts were also divided along racial lines, and Green Book does an exceptional job at displaying this heartbreaking disparity.

As someone who has been playing the violin since age 9, I find it impossible to comprehend the so-called "unspoken rules" that prevented black musicians from performing classical music because it didn't fit the white establishment's agenda. If I were an artist during that time, I would have struggled tremendously to accept these arbitrary restrictions. As a classical musician, I firmly believe that all music deserves to be played by everyone, regardless of color or ethnic background, especially the universal language of classical music that transcends all cultural boundaries.

Mahershala Ali delivered a masterful performance in portraying Don Shirley, effectively exposing this tragic historic truth through his nuanced acting. His portrayal brought dignity and complexity to a character caught between worlds, brilliantly capturing the internal struggle of an artist fighting for recognition and respect. Throughout the story, Ali's character development reveals layers of vulnerability beneath Shirley's refined exterior, showing a man grappling with isolation and the burden of representation. His powerful quote, "If I'm not black enough, if I'm not white enough, if I'm not normal enough, then what am I?" resonates deeply with me, as it encapsulates the painful reality of existing in the margins of society, never fully accepted by any community despite extraordinary talent and accomplishment.

Viggo Mortensen also delivered an outstanding performance as Tony Lip, Don Shirley's driver and eventual friend. What made his portrayal particularly compelling was his authentic character transformation throughout the film. Mortensen skillfully showed how Tony progressively became less racist toward black people and stopped projecting harmful stereotypes onto Don as the movie progressed. This gradual change for the better demonstrated how genuine human connection and shared experiences can break down even the most deeply ingrained prejudices, making his character arc both believable and hopeful.

If I were a black musician during this era, I would seriously consider moving out of the country to pursue my artistic dreams freely. Living in a society that actively suppresses one's aspirations and prevents the pursuit of personal passions seems unbearable to me. The idea of being denied the opportunity to share my musical gifts with the world simply because of my race would be devastating, and seeking artistic freedom elsewhere would seem like the only viable option for maintaining both dignity and creative fulfillment.

The film ultimately reinforces a crucial historical truth that cannot be overlooked: without black people, American culture would not be what it is today. When examining every musical period throughout the 20th century, black Americans have consistently influenced and shaped the artistic landscape for every other racial group in the world. From jazz and blues to rock and hip-hop, African American culture has been and continues to be the most influential cultural force globally, enriching not just American society but the entire world with innovations that have become foundational elements of modern music and art.

Disclaimer: Claude AI was used to help frame the writing format.